Hey again, this one is a bit difficult
to do because require a lot of auto critical thinking, working your
mind to revisit the moments during the production (that is not really
easy if your memory is not that great) and reflexion about your work
and the choices you made.
But well, here it go:
First of all, it's kind of obvious but
if you plan to do a documentary, do it about something that is
compelling to you. If you don't have a minimum of interest about what
you're filming, this will reflect on your final product and more
likely the audience will also be not interested.
Always visit location for a general
view not only of the place but the final piece that you're planning
to produce. The preproduction visit should be as complete as the
visit of the shooting day, or even more deeper, since you will have
more time to plan a detailed shot list and manage not to miss
important spots for a “portrait of a place”.
In the visits, try to speak beforehand
with any potential interviewee to clarify what the documentary is
about and to get a prior permission to film in particular places.
Also, try to find potential sources of light beforehand so you can
already plan nice angles with the camera. Even so, it's good to
consider new angles that can appear during the shooting, so be open
minded about changes and see if your DP had developed ideas of his
own of where to put the camera, or different angles for the project.
Just don't forget what is the main idea of the film, the rest is
complement.
Before moving the camera to another
place, take a deep breath and double check your environment: you
might have missed something interesting. I think that there's aways a
small and beautiful detail in every place that could render a
touching shot for someone, if not the general piece. Still, watch out
for your schedule! In the end, its all about the judgment of your
choices because the time is running out and you have to see what is
worth to film in that day.
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